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Additional info for Art, Fashion, and Work for Hire: Thomas Demand, Peter Saville, Hedi Slimane, Hans Ulrich Obrist and Cristina Bechtler in Conversation

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Nur ein einziger Fotograf. Ich habe es niemandem verraten. Peter Saville Wie viele Bäume? 31 Thomas Demand, Serpentine Gallery, installation view, London, 2006 32 33 Peter Saville How many trees? Thomas Demand 18 trees. Christina Bechtler What is the dimension of the work? Peter Saville How many pieces of paper, Thomas? (Laughter). You’re not cutting your own paper anymore. Thomas Demand No, I have a machine for that… What about you, Hedi, what do people assume you do? Thomas Demand 18 Bäume. Cristina Bechtler Wie groß ist die Arbeit?

But then I realised that you have to be able to revisit something a few years later. And if you don’t have the sculpture itself, then at least you have the photograph as a documentation of it. My professor helped me with that. That’s the good thing about an art school. He just said that you need to know whether you are going anywhere with something or whether you are just doing the same thing again and again. Peter Saville This is one of the key differences between applied art and fine art. The two or three years you spend in the learning situation are entirely different, even contradictory.

It is an essential quality that people have and this comes out in their work. It is completely acceptable to experiment and to do other things. The danger is that it’s a game of snakes and ladders. If Thomas Demand wants to do a building now, an investor or developer will put up the money for it. If Hedi wants to make a show, a movie or whatever, somebody will Designer, Erfinder, Philosoph? Hatte er selbst je dieses Problem? » Er ist das Paradebeispiel schlechthin, seine Erfindungen waren höchst glaubwürdig.

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