By Herbert Marcuse
The function of paintings in Marcuse’s paintings has frequently been ignored, misinterpreted or underplayed. His critics accused him of a faith of artwork and aesthetics that ends up in an break out from politics and society. but, as this quantity demonstrates, Marcuse analyzes tradition and artwork within the context of ways it produces forces of domination and resistance in society, and his writings on tradition and paintings generate the opportunity of liberation and radical social transformation.
The fabric during this quantity is a wealthy selection of a lot of Marcuse’s released and unpublished writings, interviews and talks, together with ‘Lyric Poetry after Auschwitz’, reflections on Proust, and Letters on Surrealism; a poem via Samuel Beckett for Marcuse’s 80th birthday with alternate of letters; and plenty of articles that discover the function of paintings in society and the way it presents chances for liberation.
This quantity might be of curiosity to these new to Marcuse, often stated as an immense determine within the highbrow and social milieus of the Sixties and Nineteen Seventies, in addition to to the expert, giving entry to a wealth of fabric from the Marcuse Archive in Frankfurt and his deepest assortment in San Diego, a few of it released the following in English for the 1st time.
A complete advent by means of Douglas Kellner displays at the genesis, improvement, and tensions inside of Marcuse’s aesthetic, whereas an afterword via Gerhard Schweppenhäuser summarizes their relevance for the modern period.
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Additional info for Art and Liberation (Collected Papers of Herbert Marcuse, Volume 4)
This requires “education of intellectual and emotional independence” and a reversal of trends toward conformity, passivity, and acceptance of the status quo. Culture would need to be redeﬁned as a space of critique and opposition, and education would have to be totally reconstructed to cultivate critical thinking, perceiving alternatives, and exploring how science and technology themselves could be reconstructed to develop a freer and happier world. 57 See Herbert Marcuse, “Notes Toward a Redeﬁnition of Culture,” published originally in Daedalus 94, 1 (Cambridge: Winter 1965), pp.
Densely written and tightly argued, it radiates with illuminating ideas and is a paradigm of dialectical thought, moving deftly from disclosing ideological aspects of culture to their emancipatory dimensions, and then articulating fundamental aspects of culture during the bourgeois and emerging fascist era. Divided into three sections, the ﬁrst moves from the continuities in the concept of culture between the Greeks and modern Europeans, and then explicates the negative and positive features of bourgeois culture.
In the merger of art and technology, reason would converge with art, recapturing the afﬁnity between art and technique stressed by the Greeks. A new technology would help create a more aestheticized reality and could be part of an art of life. Marcuse’s synthesis of technology and art can be elucidated by unpacking his notion of an aesthetic reduction – an extremely provocative and progressive notion that has been little appreciated in many discussions of Marcuse’s concepts of aesthetics and technology.