de-Coding Da Vinci: The Facts Behind the Fiction of the Da

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Language: English

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It is the door ajar", Elizabeth Metzeger, "PN Review 225, 42.2, 2015", p.38 "Milton's blank verse anticipates the 'effects' of free verse by abandoning rhyme and using the line ending to wreak havoc on the sentence", Stephen Cushman, "William Carlos Williams and the Meanings of Measure", Yale, p.18 "if I don't want the line to be broken, I break it in an inappropriate place, forcing the reader to go on, as if there were no break", Hugo Williams,"The Poetry Review", V.104:1, Spring 2014 "What line breaks add to prose prosody is a connection between eye and ear which emphasizes the nature of the language by ... creating units of intent and emphasis, and by contouring the melodic pitch changes in the narrative-line", Diane Wakoski, "Eye & Ear: A Manifesto" in "The Ohio Review", V.38 (1987), p.17. "Wallace Stevens, when he read his poetry, never audibly broke the line", Stephen Dobyns, "next word, better word", Palgrave Macmillan, 2011, p.94 "because nonmetered poetry can lack the range of emotional effects found in metered poetry, it makes the enjambed line with its artificial pause even more important, and, aside from rhythm, it functions much like an artificial pause in conversation", Stephen Dobyns, "next word, better word", Palgrave Macmillan, 2011, p.101 "many poets of the following generation - the fourth after Lowell - who write nonmetered poetry no longer seem to have the example of metered verse within the ear, with the result that many of their lines appear flaccid and lack any apparent reason why a line is broken this way rather than that.

Format: Paperback

Language: English

Format: PDF / Kindle / ePub

Size: 6.05 MB

Downloadable formats: PDF

It is the door ajar", Elizabeth Metzeger, "PN Review 225, 42.2, 2015", p.38 "Milton's blank verse anticipates the 'effects' of free verse by abandoning rhyme and using the line ending to wreak havoc on the sentence", Stephen Cushman, "William Carlos Williams and the Meanings of Measure", Yale, p.18 "if I don't want the line to be broken, I break it in an inappropriate place, forcing the reader to go on, as if there were no break", Hugo Williams,"The Poetry Review", V.104:1, Spring 2014 "What line breaks add to prose prosody is a connection between eye and ear which emphasizes the nature of the language by ... creating units of intent and emphasis, and by contouring the melodic pitch changes in the narrative-line", Diane Wakoski, "Eye & Ear: A Manifesto" in "The Ohio Review", V.38 (1987), p.17. "Wallace Stevens, when he read his poetry, never audibly broke the line", Stephen Dobyns, "next word, better word", Palgrave Macmillan, 2011, p.94 "because nonmetered poetry can lack the range of emotional effects found in metered poetry, it makes the enjambed line with its artificial pause even more important, and, aside from rhythm, it functions much like an artificial pause in conversation", Stephen Dobyns, "next word, better word", Palgrave Macmillan, 2011, p.101 "many poets of the following generation - the fourth after Lowell - who write nonmetered poetry no longer seem to have the example of metered verse within the ear, with the result that many of their lines appear flaccid and lack any apparent reason why a line is broken this way rather than that.

Pages: 124

Publisher: Our Sunday Visitor (IN) (April 1, 2004)

ISBN: 1592761011

Vintage 1999

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Encyclopedia of Romanticism (Routledge Revivals): Culture in Britain, 1780s-1830s: Volume 13

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